Thoughts on poetry teaching with children. Thoughts on being a poet. Thoughts about thinking.
Thursday, April 30, 2009
Poem In Your Pocket and Bundle Boards
Tuesday, April 28, 2009
PAD 10 Crash
Here's the poem I wrote about Tupperware, I wrote it yesterday.
Elegy for the Dead That Held Fast
Envelope flower pot jewelry box coffin
Handbag briefcase coin purse satchel
Mason jar hat box girl scout canteen
Letter box ink well match box tureen
Canister cake tin wardrobe cradle
Tool shed wood shed button box cedar chest
Pickle barrel laundry basket soap box
Wheel barrow soda bottle lobster pot
And here's a photo of a beautiful hat box I found -- somebody still makes a beautiful thing out of wood.
PAD 8, 9 Rehashing
pad 8 from about april 2
This is not a poem filled with symbols,
symbolism, images. Driving to work
I'm always writing these poems,
looking for birds, egrets white
in their wedding dresses, wings
tucked into their tails, tight
dive maneuvers or wide
right over my car, speeding
the ugliness of the cars,
hawks, always I see them only
one at a time, decked out in his
claws, proud on tall chain link.
Today the white and brown,
the possible wings, are just
trash, muddy newspaper nests of
rain water, flapping bags,
electric white slashed to
those same fences. Not a poem
among them. Not even irony.
pad 9 from march 20
in my car
small against my legs, back
big view, hills, rain
enormous sky flying by
blue or wide
my head touches the roof
air tastes like breath, mine, kids'
breath off banana peel
debris
it's very quiet here
except the banging of my mind
against the glass
a hammer, a song,
a laugh.
PAD on Bad Days and the Comfort of Sharon
Saturday, April 25, 2009
PAD 7: Not A Baseball Poem
Today's poem starts with baseball and ends with pregnancy. I'm grieving for Stella who is separating from me so easily, and I am realizing that after my life of keeping my distance, of holding my mind separate from her, she is going to leave for real very soon, just as I am learning to love her with my mind as well as my heart.
(Suddenly) The Doe
After Jackson’s baseball jersey, number 10,
dries, the Gatorade splots, ketchup smeary and
grass-stained dirt scrubbed out quickly in cold
water, I open the front door to move
back against the house my pink folding chair,
on which I had dried it, actually on which
it lay while the April sun dried the damp
places, and step into the yard, and there
see her leap up, too awkward to leap
quickly, it’s more of a slosh and heave,
like a dinghy too heavily laden with
children in life jackets, the bag full of lunches,
and the blanket, soft blue and oyster shell plaid
I remember from my childhood, bumping
against the side of the bigger boat as the last
kid steps in, and he falls into his seat, as
the little boat soon turns and lumbers away
toward the beach, an up stumble onto her sharp
small black hooves, butt and tail caught in old
holly, before she backs off and escapes through
torn chicken wire and falling fencing, long
ineffective again her and others of her
kind, brown deer who continue to thrive
at the edge of the city of Cupertino in
shady garden corners, like this one
where she rested until I came, with her
burden in her brown belly, with my clean clothes.
I think it might be fun to write a whole sequence of poems, in which the word 'suddenly' never appears, but which describe a series of events that do happen that quickly, in a present that doesn't really exist, between the series of moments that are either the past the past the past or the future the future the future.
Seahorse Interlude
Seahorses
My lover wants me like the sea
He lays me down in fields of seahorses, blue and green
In our secret ocean the white fish die
and spill their eggs like gold coins
His singing anchors me to this
underwater world, I can drink
the whole sea full of salt
Anemones like hungry children
reach up for us in their pale
friendly way
luring us down
into the dream
down into
his arms
His brave brown ship carries me
away rocking on scarlet wind,
endless, and liquid, and true
I don’t care for anything here
except that he plays--
play yourself like the dark waves
play me like the foam on the storm--
Friday, April 24, 2009
PAD 6: John Lennon Saved My Life Again Today
Thursday, April 23, 2009
PAD 4 & 5: Yes, it's discouraging but that's okay
Yesterday's PAD (April 22) should have been this:
For Michael's Heart
For Michael's heart
I would. And he
doesn't need to know.
Weights and measures,
scales, turning the pages.
This faucet, that
doorknob suffices in beauty
or does not, but when
we don't ask those
questions, I propose,
the heart hears voices
filled with answers
still.
Today's poem is going to be harder. I want to write about Paul, my contractor's foreman, who's from the Bronx, but who speaks Spanish to the guys working on the crew remodeling our house. Oscar and Jose, they were on the roof today, pulling out the old sky light, framing in the space for the new one. Paul was babbling on in Spanish, and then he said "siente and a quarter" and then more Spanish, and then "siente and three quarters" and it caught my eye -- as if he'd flung a fly fishing line at me and snagged my ear with the fluffy feathery hook. Ouch -- got me to turn my head, and when I said it back to him, they all laughed, all three of them. I want to put this in a poem, but I don't know how to. And, even though this is a lot of writing, this blog entry does NOT count as pad. This paragraph is not a poem. Even if I call it one. Not even a prose poem. I don't believe in that form, anyway. (A topic for another day). So now what?
I put this idea forward as a poem a couple of days ago, but that was cheating. As penance, I made it into a sestina for today's pad.
The New Season: A Baseball Sestina
Oh boy, I can smell it in the evening, the boy
Glinting in a white uniform, still clean, the ball
Fresh in his hand, now fleeing from his hand, now away from him
Fleeing through even the new air
And the new grass, green
The way a new green is brighter next
To a new clay infield, next
To the boy
Leaping across the new green
Outfield where he catches the ball
Like a new boy. The air
Is not really new, but these molecules belong to him
In a way that the grass belongs to him
And the next
Swing of the bat through the new air
Belongs to the boy
With a new taste in his mouth, and the ball
Still white, not yet having met not even one green
Blade of grass is his. You put up the green
Umbrella in the stands for him,
I bring my cooler, we grip our hats, we clench our fists into new balls
Of baseball fury, rows of brand new parents next
To definitely not wiser rows of parents, my boy
And your boy battling out there in early spring air
Pushing the fine tasting air
Back and forth between themselves, across green
Sprawling fields, themselves sprawling one boy
After the next
Into the dirt, their bodies rolling full out with the hymns
Of sliding, ballads of dropping the ball,
Haiku of pop-up, ball
Drops out of air
Into glove. Or in the next
Inning perhaps an entire symphony of green
And brown stains up and down every inch of him,
My boy.
It’s a game of give my boy take your boy glove hat bat ball
Yell for him, spit into that clean gleaming air
The green vowels, the white consonants, the next game.
Tuesday, April 21, 2009
PAD: 3 Very Small Baseball Poems
1.
Oh boy
he caught the ball
threw him
self into air
over green
running between
one white
base and the
next
2.
Night-time light
warm air smelling like
boys in the grass
The first poem was originally intended as a sestina but I obviously have a lot of work to do to get that going -- the second one is a non-traditional haiku -- not much apart, together I'm more hopeful.
I'm interested that W. S. Merwin got his second Pulitzer today -- I'm still not sure if I like his poems, but so many other people love him (Pulitzer number 1) and now love how he's such and old man (Pulitzer 2).
I shouldn't be so cynical during baseball season.
Monday, April 20, 2009
PAD 2 Jumble Beams Holding Air
A Remodel Nightmare
Where I live is no longer there –
roof ripped up, walls ripped down,
jumbled beams holding air –
a house’s privacies laid bare
to anyone who happens by from town.
Where I live is no longer there.
No bed, no piano, no window, no chair.
Ghosts of blankets, ghost of gown,
only jumble beams holding air.
Up along disfigured stairs
I step, gutters sag like a widow’s frown,
where I live. No longer there:
a place for me to brush my hair
a room to echo with my sounds.
Jumbled beams holding up the air
don’t look that much as if they care.
Safety and chaos now must share
where I lived, but am no longer there –
just a jumble – beams holding air
Sunday, April 19, 2009
Aeneas in the Underworld
"Immediately cries were heard. These were the loud wailing of infant souls weeping at the very entrance-way; never had they had their share of life’s sweetness for the dark day had stolen them from their mothers’ breasts and plunged them to a death before their time."
—Virgil, The Aeneid, Book VI
Here's a link to a blog "Monster Brains" where this is described, and with a beautiful photo of Brueghel's painting on said topic. (You have to scroll down to Sunday, June 22, 2008 to see the entry, but the whole blog is worth checking out -- amazing photos of monster art. Who knew?)
Jan Brueghel The Elder - AENEAS AND THE SIBYL IN THE UNDERWORLD, Oil on Copper 1598
Okay: A Poem A Day: For Bob
Moon Over Half Dome
My love borrowed
a corduroy jacket,
golden, soft, too small.
My love knelt
in new weeds, old dirt.
In evening wind.
My heart, startled,
rose like a search light
behind ancient granite.
Anyone
who looked that night
saw the moon.
Disorganization
"The disorganization of the beloved moment"
Isn't that great? It's from an interview with Elizabeth Schmidt, titled "Where Poetry Begins: Eavan Boland in Conversation" published in American Poet (Spring 1997). You can read the entire essay at the Academy of American Poets website.
I'm not crazy about this photo of her, but there needs to be one, shining above me like a beacon right now. So here: